Casino Royale 1954 Tv

This Casino Royale is the first screen performance of James Bond and the first adaptation of the Ian Fleming novel of the same name. In this live television broadcast from from 1954 we are introduced to James Bond before he liked his martini shaken not stirred.

Our Word Is Our Bond is a new series which will look at every 007 film in chronological order. Jonathon Dabell kicks off the series with a look at Casino Royale (1954) starring Barry Nelson and Peter Lorre.
Imagine, if you will, that you are on a TV quiz show. The host looks you in the eye and asks you “who was the first actor to portray James Bond on screen?” You smile inwardly, confident in your own knowledge, and reply “Sean Connery”. You may even be enough of a smart-ass to add “in Dr. No“, just to prove you know your onions. Wrong. More paranoid players, anticipating a trick question, might plump for David Niven who portrayed an in-name-only version of the character in Casino Royale, a wacky 007 spoof made by other hands. But here again they would be wrong. The spoof Casino Royale was actually made in 1967, when the Connery Bond films were already well established.

Casino Royale (1954) was the bizarro version of Bond. Fans of the franchises will be taken aback by this episode and gives everyone a window to what an American version of the character would have looked like. This version does pale in comparison to what proceeded it. Allowances need to be made for Casino Royale (1954). It was adapted for a TV. Mar 16, 2020 Search Metadata Search text contents Search TV news captions Search. Casino Royale- restored ending (1954) by CBS. Arrives at the Casino Royale in Monte Carlo.

James Bond (Barry Nelson) weighs up the odds in Casino Royale (1954).

The correct answer to the question is actually Barry Nelson. An anthology TV show called Climax! ran in America from 1954 to 1958, each episode around 50-60 minutes in length and many of them filmed in front of a live audience in colour (the episodes which survive, alas, are all black-and-white kinescope copies). The third show in the first season of the show was one Casino Royale, based on a recent novel by a then little-known chap named Ian Fleming.
It’s amusing to note from the off that James Bond (often referred to throughout the film as ‘Jimmy’) is an American agent working for some organisation vaguely mentioned as ‘Combined Intelligence’. His inside contact at the casino is a British agent named Clarence Leiter, played with the stiffest of upper lips by Michael Pate. Aside from this juggling of nationalities, and changes to the character names (‘Clarence’ is actually named ‘Felix’ Leiter throughout the Bond novels and films, while the main female character here, Valerie Mathis, is a combination of Rene Mathis, a French Deuxieme agent, and Vesper Lynd, a tormented double agent, from Fleming’s book), the film remains fairly faithful to the source novel.

James Bond (Barry Nelson) teaches Clarence Leiter (Michael Pate) the finer points of baccarat, in Casino Royale (1954).

Casino Royale 1954 Download

Bond (Nelson) has been assigned to beat a French-based Russian agent, Le Chiffre (Peter Lorre), at baccarat. Le Chiffre is a dangerous and enormously valuable agent, incorruptible and totally reliable apart from one key character flaw – he has an addiction to gambling. After using money provided him in good faith by his Russian spy-masters to fund his gambling, Le Chiffre has lost almost all of it and needs to win it back urgently before he is ‘retired’ (that’s code for ‘assassinated’, just in case you missed the point). Bond’s job is to defeat him at the baccarat table and leave him to his fate. To add to the intrigue, Bond’s ex-lover Valerie (Linda Christian) is now Le Chiffre’s moll, although it’s clear she still holds a candle for Bond as does he for her. Bond receives an anonymous phone-call informing him that is he beats Le Chiffre at the baccarat tables, Valerie will be killed.

James Bond (Barry Nelson) and Valerie Mathis (Linda Christian) in Casino Royale (1954).

There’s very little in common between this Bond production and the many Eon productions that followed. Nelson admitted that he had little idea how to play the character – there were no existing Bond films for him to use as reference points, and he had not read the novel (it was not well-known at all in America – indeed, it wasn’t until John F. Kennedy labelled From Russia With Love as one of his favourite books that the Bond novels took off in America). He felt the role was poorly written and found the process of filming before a live audience rather terrifying on the whole, though the chance to act opposite the legendary Peter Lorre was enough to make him want to do it. The film is split, as if to reinforce its stage-play approach, into three acts. The opening act is mainly about getting the plot machinations into gear; the second deals with the card game at which Bond and Le Chiffre square up to each other; and the final act sees a desperate Le Chiffre torturing Bond in his hotel room in an effort to recover the money he has lost.

Le Chiffre (Peter Lorre) tortures Bond (Barry Nelson) in the bath tub, while a distraught Valerie (Linda Christian) looks on. Casino Royale (1954).

While Nelson is right about the role being underwritten, he lacks the charisma to raise it on the strength of his personality alone. His generally bland line delivery and posturing make one realise just how commanding a performance is given by Sean Connery in the later entries. Linda Cristian is also somewhat out of her depth as the hopelessly wooden leading lady of the piece. Lorre, though, is pretty good as Le Chiffre. Always a sinister and unpredictable presence in a movie, Lorre is close to Fleming’s original depiction of Le Chiffre and utterly steals the film from everyone else around him. The torturing of Bond in the final act is too graphic in the novel to be shown in any real detail in a 50s TV production (heck, even the 2006 Daniel Craig version it is still toned down a little from the book), but Lorre’s urbane savagery makes the scene effective. I watched the film for the first time recently with my wife, and during the torture scene she turned to me and said “this is quite dark for a 50s film!” which is pretty much what I was thinking myself at that moment. The effect is not achieved through visceral visual nastiness; it’s all down to Lorre’s uncanny knack for making one believe his ruthless evilness.

For many years, Casino Royale (1954) was considered a lost movie, until a kinescope copy was discovered in the 80s. Even that was missing the final two minutes, a final twist in which Le Chiffre tries to thwart Bond by taking Valerie as a hostage while he holds a razor blade to her throat. This final scene has since been found as well, although the picture and sound quality during this final frisson is clearly more deteriorated than the rest of the film. It’s just about watchable, albeit rather scratchy and washed-out.
Overall Casino Royale has not held up well, certainly not when measured against the best of the Eon productions. The low budget makes the casino scenes rather unconvincing, and Nelson’s general insipidness as Bond is a major distraction. However, it deserves credit for being a reasonably faithful adaptation of a fine novel, plus further praise needs adding for Lorre’s confident display of silky menace. Generally-speaking, though, it is more of a curiosity piece than anything else. Bond completists should give it a look just to say they’ve seen it. And remember, if you’re ever on that TV quiz show and they ask you who was the first person to play Bond on screen… Barry Nelson’s the name you’re looking for!
MoM Rating: 5/10

Mission
The very first screen appearance of James Bond 007, made in 1954 for US TV channel CBS. Bond's task is to destroy the evil Le Chiffre, and his plan is to force him to lose a large sum of money at the gambling tables of Casino Royale.

Release Data
US Premiere: October 21, 1954 (CBS)
Part of the 'Climax!' TV Series (1954-1958)
Running Time: 60 minutes

Best Line
US Leiter: 'Are you the fellow that was shot?'
Bond: 'No, I'm the fellow that was missed'

History
Contrary to popular belief, the honour of being the first actor to play James Bond fell not on Sean Connery, but on American Barry Nelson, who starred in this live 1 hour production of Ian Fleming's Casino Royale. The performance on 21st October 1954 (8.30pm EST) was the first in CBS's 'Climax' series of dramas.

CBS brought the rights for Fleming's first book for $1000. Since then the rights have gone via Charles Feldman's spoof of 1967 to Eon Productions, who picked them up in early 2000. The film, which is black and white, was actually lost until 1981, and even then all of the various VHS incarnations (except the Special Edition from Spy Guise Video) lack the climax of the film, stopping with Le Chiffre apparently dying, but having just got the razorblade from his hat.

Plot
The film is quite loyal to Fleming's version, with a few changes of nationality and sides. It starts with Bond being shot at but ducking behind a pillar outside the casino. Leiter (who is English and whose first name is Clarence) approaches 'Card Sense Jimmy Bond' as he is nicknamed, and is met by the first Bond one-liner (see 'Best Line').

Over supper Bond explains Baccarat to Leiter and the audience, and Leiter explains the CIA's Bond (not 007) his mission: Le Chiffre, the Soviet spymaster in France, is in financial difficulty, but intends to save his life and Communist funds by winning it back at the casino. Bond's job is to clean him out.

Matters are complicated when Bond's former lover, Valerie Mathis turns out to be a communist agent with Le Chiffre. They meet in Bond's room, and knowing about Le Chiffre's bug they turn up the music and kiss, before acting their parts for the villain.

The next night at the casino the game takes place. Bond is told if he wins, Valerie will die. Bond is beaten by Le Chiffre, but then gets an extra donation, with which he cleans out the 'toad'-like villain. Valerie disappears, and Bond returns to his room after dealing with a henchmen using a gun disguised as a cane. He hides the cheque just before Valerie comes (she is in fact a French agent, who supplied the extra donation), but Le Chiffre and his men capture them. Bond is tied to a bath and tortured by having his toenails removed with pliers (rather than Fleming's version using a seatless cane chair and carpet beater).

Valerie gives away the location of the cheque, but helps Bond reach the razorblade in Le Chiffre's cigarette case, which he had left on the bath. Bond escapes, and overcomes a henchmen. Le Chiffre enters the bathroom with a gun, and he and Bond shoot each other. Le Chiffre is more seriously hurt, but reaches another razorblade, hidden in his hat. Bond says 'call the police' just as Le Chiffre lunges. Bond fans with bad videos will now be infuriated as they miss the climax. Bond dodges the razor blade and finally overcomes Le Chiffre.

Above: The final scene which is missing in all VHS releases except the 1997 Special Edition by Spy Guise Video.

Review
Peter Lorre is superb as the villain Le Chiffre. His toad-like looks and menacing acting make him a great villain. Michael Pate is annoying but acceptable as Englishman Leiter, and Linda Christian is competent enough as Valerie Mathis, although her looks are taken away from by the black and white.

But what about the first James Bond? Barry Nelson is just about okay. He is handsome and about the right age, and unlike Roger Moore he has at least read the books, although his Americanisation of Bond takes away slightly from Fleming's cold character. Nelson was born in San Francisco, California on 16th April 1920, and was a regular actor in mid-sized roles on Broadway in the '40s. Since Casino Royale he has appeared in 'Airport' (1970) and 'The Shining' (1980). So how did he do? Certainly he is credible as Bond, although he lacks flair. He delivers the one-liners sharply, and his interpretation of the role is not too bad, although being an American he will always look out of place. Nelson's Bond is hard and cold, as 007 should be. He struggles at the fight scenes (hardly surprising considering the production was filmed live) but he does a reasonable job, with a similar quality of acting to Lazenby.

The picture itself, directed by William H Brown Jr. and written by Antony Ellis and Charles Bennet, with music by Jerry Goldsmith is reasonably filmed, and remains tense throughout (an effect slightly spoiled by the needless use of Act intros). Obviously the usual special effects are lacking, but overall this is a credible performance of Fleming's book, with good production values and passable performances.

Availability
Spy Guise Video now made this amazing and historic program available back in 1997 - complete with the restored ending missing from previous video versions. The added ending restores the final confrontation between Bond and Le Chiffre in which Bond comes out victorious. There is a traditional Bond ending 'with a kiss' and then the credits appear.

This deluxe collector's edition also featured many extras: an exclusive overview of the life of Ian Fleming and the 'Casino Royale' legacy hosted by Lee Pfeiffer, co-author of the best-selling book 'The Essential Bond: An Authorized Celebration of 007'.

THE FIRST SCREEN BOND: CASINO ROYALE ON TV IN 1954 By ...

Additionally, this version contained rare promotional advertisements, photographs, and information about James Bond clubs, magazines and officially licensed collectibles.

Casino Royale 1954 Youtube

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