Casino Royale 1967 Trivia
About Loosely based on Ian Fleming 's very first James Bond novel of the same name, the film strayed from the typical action caper to be more of a spy comedy. Bond comes out of retirement to battle against a Soviet counterintelligence agency called SMERSH. German actress who has appeared in more than 80 films including Casino Royale in 1967 and Gangs of New York in 2002. She moved from Germany to America as a young girl and attended Galileo High School in San Francisco, California. She worked as a television personality on Italian television in the 1980s. Casino Royale (1967 film) In this version, which bore little resemblance to the novel, Vesper is depicted as a former secret agent who has since become a multi-millionaire with a penchant for wearing ridiculously extravagant outfits at her office claiming 'because if I wore it in the street people might stare'. Octopussy Theatrical release poster by Dan Goozee and Renato Casaro Directed by John Glen Produced by Albert R. Broccoli Screenplay by George MacDonald Fraser Richard Maibaum Michael G. Wilson Based on James Bond by Ian Fleming Starring Roger Moore Maud Adams Louis Jourdan Kristina Wayborn Kabir Bedi Music by John Barry Cinematography Alan Hume Edited by Peter Davies Henry Richardson.
Factual error: When M and his entourage arrive at Bond's estate their cars are surrounded by sheep. They then drive on down a unsurfaced road to Bond's house, past a pride of lions he keeps on the grounds. A series of sweeping overhead shots shows us it is all one huge field, with no fences or the like. Those sheep aren't going to last very long .
Continuity mistake: When Andress is taken hostage outside the casino watch the background to see the bouncer walk inside the Royale yet when Sellers runs outside the bouncer is outside again.(01:41:00)
Visible crew/equipment: When Mimi is escaping from the castle and swinging on the drain pipes, the wire holding the whole lot up is visible.(00:29:10)
jleContinuity mistake: While going quickly around a sharp bend, the milkfloat sheds most of its load. In the next shot, the back is full of milk crates again.(00:35:35)
jleVisible crew/equipment: After Mimi has cut off the magnetic button and launched it away with James' braces there is a shot of the exploding grouse and the wires making it fly are visible.(00:31:00)
jleContinuity mistake: There are sheep all around M's car, but in the short closeup of the chauffeur (John Le Mesuier) getting in there are none visible through the windows.(00:03:40)
jleContinuity mistake: When we first see the remote-controlled milk float its front number plate is normal. When it starts moving, though, there is a piece of red tape over part of the plate. The red disappears again in subsequent shots.(00:34:30)
jleContinuity mistake: There are several differences between the minature model of the hovercraft like thing that Mata is in and the full size model. For example, the full size model has red markings near the antennae and a silver bottom whereas the minature has no markings and a predominantly red bottom.(01:49:35)
jleContinuity mistake: There is a scene where Ursula Andress spins in slow motion on her bed, while pink feathers float around her. In the next scene you can see the pink feathers still in her hair. In the next they are pink hearts.(00:52:50)
Continuity mistake: Tremble's chips are next to his glass of champagne. However, when we see a closeup of his first hand (3 of clubs and 3 of hearts) Tremble puts his cards down next to his glass and the chips are not there.(01:37:10)
jleContinuity mistake: The cupboard in Jimmy Bond's torture chamber contains, among other things, a bowler hat. But when Jimmy opens it, to get his atomic pill, the hat is no longer there.(01:57:05)
jleCasino Royale Movie 1967
Continuity mistake: Cooper slips the strap of Miss Moneypenny's nightie down, but then she sits up and the strap is back up.(00:41:40)
jleContinuity mistake: The first shot after the opening credits is of 4 cars converging on a junction - the bottommost and topmost arrive first, then the other 2. The next shot shows them arriving again - in a different order.(00:03:20)
jleVisible crew/equipment: In the shot where the 'Dual Carriageway' sign is seen and the cars drive over the camera, the man driving the milk-float that is meant to be being controlled by radio is visible.(00:35:25)
jleFactual error: After the grouse shooting scene, there is a map on screen which shows the A230 crossing the England-Scotland border. The A230 is really in Kent.(00:33:30)
jle
Continuity mistake: When James enters M's office, the map on the wall has 2 flags in Canada and 3 across South America. A little later, when Hadley is explaining what they mean, 1 of the Canadian flags and 2 of the S. American ones have vanished.(00:37:00 - 00:38:30)
jleContinuity mistake: When the bed with Peter Sellers on it starts lowering, from one angle the bed's dropped below the level of the ground around it, but then in a closer shot of Peter Sellers, we can see behind him that it's not moved. The next, wider, shot shows that we should have seen the hole's walls behind him.(00:49:50)
Jon SandysContinuity mistake: Cooper takes Moneypenny's AFSD Report and drops it on the floor. In the next shot it is back on the shelf at the head of the bed.(00:41:45)
jlePlot hole: As they're escaping the Smersh lair, Bond tells Mata to put her finger in the tiger's ear to operate the doors. How does he know this? The only other time he was in that room, the tiger's eyes were pressed to operate the lift.(02:03:00)
jleContinuity mistake: Forydize is standing right behind Tremble, measuring him for his MI5 clothing. The camera angle changes and now he's standing right in front of Tremble.(01:01:10)
jle'And afterwords we can run amok! Or if you're too tired, we can walk amok.' - Jimmy Bond
MissionA satirical romp through the spy-fi genre begins as legendary spy Sir James Bond is coaxed out of retirement to take on SMERSH. With M dead in a fantastical explosion Sir James becomes head of MI6 and leads a squad of 'James Bonds' to all fight crime in his name. One is Evelyn Tremble, recruited as one of the many 007s and tasked to face SMERSH agent Le Chiffre at the baccarat table.
Cast
| Sir James Bond | David Niven |
| Evelyn Tremble | Peter Sellers |
| Vesper Lynd - 007 | Ursula Andress |
| Le Chiffre | Orson Welles |
| Jimmy Bond - Dr. Noah | Woody Allen |
| Agent Mimi aka Lady Fiona | Deborah Kerr |
| Mata Bond | Joanna Pettet |
| Ransome | William Holden |
Trivia
Though this film is not part of the EON Productions official series, a number of compilation albums and CDs of James Bond film music actually often incorporate one or both of two tracks from this film, 'The Look of Love' and 'Casino Royale', in their collections. The former is one of Burt Bacharach's most remembered and successful tracks.
Crew
| Directors | Val Guest, Ken Hughes, John Huston, et al |
| Producers | Jerry Bresler, John Dark, Charles K. Feldman |
| Writers | Wolf Mankowitz, John Law, Michael Sayers et al |
| Composer | Burt Bacharach |
| Editor | Bill Lenny |
Peter Sellers
Evelyn Tremble
| Running Time | 131 minutes |
| Budget | $12m |
| US Box Office | $22.7m |
| Worldwide Box Office | $19m |
Best Quote
Sir James: 'It's depressing that the words 'secret agent' have become synonymous with 'sex maniac.'
| USA | 28 April 1967 |
| UK | 13 April 1967 |
| Australia | 8 September 1967 |
| Denmark | 21 December 1967 |
| France | 22 December 1967 |
| Turkey | 1 April 1969 |
| Spain | 11 December 1977 |
Production Notes
Respected Hollywood producer Charles K. Feldman had recently acquired the rights to the Ian Fleming novel 'Casino Royale' and its source material and had initially approached the producers at EON Productions in order to collaborate on an 'official' version of the debut 007 story. However, after the complexities of 'Thunderball' - having co-produced the fourth James Bond outing with Kevin McClory - Albert R. Broccoli and Harry Saltzman were reluctant (to say the least) to team up with another production company. The parties could not come to a satisfactory agreement and so parted ways, with EON producing the Japanese-set 'You Only Live Twice', and Feldman, not wishing to compete with the official series for viewers, opting to use the rights to shoot an all-out 1960s spoof of the genre.
Feldman sought the backing of Columbia and secured a very respectable budget of $6 million to shoot his spoof, but the production ran into complexities and by the end of the protracted shoot, the budget was almost double that of the expected outlay. This would prove to be greater than that of 'Thunderball', the last official 007 outing. The convoluted nature of the production required the assistance of many directors. Ken Hughes (who would later go on to direct EON Productions' 'Chitty Chitty Bang Bang') was brought onto the production to capture the Berlin scenes, John Huston worked with the cast in Scotland (doubling for Sir James Bond's home), Robert Parrish worked on the scenes between Orson Wells and Peter Sellers (largely across the casino table), with Joseph McGrath and Richard Talmadge both contributing to the coordination of extra scenes.
Casino Royale 1967 Trivia Questions
The convoluted nature of the shoot was not helped by its stars, Peter Sellers and Orson Welles, whose feud in the midst of the production reportedly resulted in the two actors unable to work in the same room as one another. Additionally, according to 'The Life and Death of Peter Sellers', the actor was unwilling to stick to the script (which had already been written and rewritten by a squad of Hollywood's most creative screenwriters) and insisted on dropping in his own one-liners and dialogue. As one critic said, Sellers' desired 'to turn the flattery of the role (love scene with Ursula Andress and a hefty sum) into a long-sought Cary Grant-type image.' Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with 'that amateur'. In the end, Sellers departed the production before all of the planned material was in the can. Fans to this day speculate whether he quit or was fired, but all of that remains unknown but hugely consequential to the fashion in which the film ends.
'Casino Royale' attracted a number of famed guest stars willing to make cameos with the cinema stars Welles, Sellers and Niven. Peter O'Toole, George Raft and Jean-Paul Belmond all appeared in the film whilst Frank Sinatra and Sophia Loren were set to make cameos but were unable to attend the shooting.
As well as the bigger names, Ursula Andress, Vladek Sheybal, Burt Kwouk, John Hollis, Angela Scoular and Caroline Munro were among those cast members that had or would go on to perform in an EON Productions James Bond film.
The film was recently posted to YouTube in its entirety as one of six in a join venture between the studio and MGM. Fans from select global regions can watch it free of charge online today.
Capsule Reviews
'Niven seems justifiably bewildered by the proceedings, but he has a neat delivery of throwaway lines and enters into the exuberant physical action with pleasant blandness. Peter Sellers has some amusing gags as the gambler, the chance of dressing up in various guises and a neat near-seduction scene with Ursula Andress.' -- Variety
'But there is never much chance for the comedy, let alone for the original yarn (which, like all Bond stories, could not be taken seriously, but which at least was a story). The movie is too busy kidding the previous Bond movies, which kidded the books and themselves before they were in turn kidded by the U.N.C.L.E.s and Flints. Poor 007 is now lost in a hall of distorting mirrors. It is no surprise that by the last reel there is a distinct air of defeat about Casino Royale, as if the money ($12 million) and the time (134 minutes) had run out. The final footage shows the U.S. cavalry riding to Bond's rescue, joined shortly by American Indians parachuting from planes and shouting 'Geronimo!', the French Foreign Legion, and a Mack Sennett-style squadron of period policemen. This kind of keystone cop-out was done faster and funnier 34 years ago when the Marx Brothers made Duck Soup. But in those days comedies consisted of scenes and not herds.' -- Time